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Wednesday, December 23, 2015

The Books I Snuck In

This is in no way a list of great books from 2015 (check out last Sunday’s article in the New York Times book review for a good and comprehensive list of new literature) this is just a list of my favorite books that I’ve managed to read since I moved to New York. I found most of them at used book stores around the city, but a few I found new in paperback. If you’re in NYC check out Better Read Than Dead in the alley off Broadway and Spoonbill and Sugartown off Bedford Ave. 

Limassol - Yishai Sarid - “I’d gladly drink a shot of whiskey now and end the day before it started.” Dark, dry, detective noir from Israel. 

Unforgiving Years - Victor Serge - “If I’m still alive, it’s because I realized that we misrepresented the grandeur of conscience. You don’t have to tell me about the deformed or rotten or spineless consciences, the blind consciences, the half-blind consciences, the intermittent, flickering, comatose consciences! And spare me the conditioned reflexes, glandular secretions, and assorted complexes of psychoanalysis: I’m all too aware of the monsters swarming in the primeval slime, deep inside me, deep inside you. There’s a stubborn little glimmer all the same, an incorruptible light that can, at times, shine through the granite that prison walls and tombstones are made of; an impersonal little light that flares up inside to illuminate, judge, refute, or wholly condemn. It’s no one’s property and no machine can take the measure of it; it often wavers uncertainly because it feels alone- what brutes we’ve been, to let it die in its solitude.” Disillusioned in Europe after the horrors of WWII with fascism, and then bearing witness to the fascism of the Communist Party, the characters in this book drift around Europe and then later in Mexico, looking both inward at their own conscience and also over their shoulder. 

The Mersault Investigation - Kamel Daoud - “Night has fallen. Look at this incredible city, doesn’t it present a magnificent counterpoint? I think something immense, something infinite is required to balance out our human condition. I love Oran at night, despite the proliferation of rats and of all these dirty, unhealthy buildings that are constantly getting repainted; at this hour, it seems that people are entitled to something more than their routine.” Incredibly precise in its writing and also poetic in its language, this novella examines The Stranger by Albert Camus from the perspective of the dead arab’s brother. 

Carte Blance - Carlo Lucarelli - “It was an old farmhouse with charred, crumbling walls, without any more roughcast, almost in the countryside, in an area the city has reached before the war transformed it into a suburb. So black, solid, and squat was the building, it almost looked like a convent, isolated from the other houses. On the wall, low, far from the door, there was a message painted in red smudged letters: Get ready, murderers.” A detective tries to do his job faithfully while the country changes hands from the fascists, while also dealing with anarchists and communists struggling for power at the end of the war. 

Train Dreams - Denis Johnson - “He laid his head back, and opened his throat, and a sound rose in the auditorium like a wind coming from all four directions, low and terrifying, rumbling up from the ground beneath the floor, and it gathered into a roar that sucked at the hearing itself, and coalesced into a voice that penetrated into the sinuses and finally into the very minds of those hearing it, taking itself higher and higher, more and more awful and beautiful, the originating ideal of all such sounds ever made, of the foghorn and the ship’s horn, the locomotive’s lonesome whistle, of opera singing and the music of flutes and the continuous moaning of bagpipes. And suddenly it all went black. and that time was gone forever.” A haunting recollection of one man’s life in the wild, empty places of America in the 1800’s. 

The Vorrh - B. Caitling - “Dawn, like the first time. The lead-grey clouds are armoured hands with the weak sun moist and limp inside them. the night still sits in the high branches, huge and muscular, rain and dew dripping to the pungent floor. It is the hour when night’s memory goes, and with it the gravity that keeps its shawl spin over everything in the forest.” Still kind of unsure about this book, because there’s a lot going on in it (i.e. biblical references that went over my head, some historical references and also a lot of references to Heart of Darkness, maybe?) but every sentence is pure pleasure. There’s a mysterious forest, a few different hunters, a cyclops, and robots. 

Crush - Richard Siken - “Chemical names, bird names, names of fire / and flight and snow, baby names, paint names, / delicate names like bones in the body, / Rumplestiltskin names that are always changing, / names that no one’s ever able to figure out. / Names of spells and names of heces, names / cursed quietly under the breath, or called out / loudly to fill the yard, calling you inside again, / calling you home.” Punch drunk poems of love and despair from a young gay poet in America. 

Bluets - Maggie Nelson - “For to wish to forget how much you loved someone- and then, to actually forget- can feel, at times, like the slaughter of a beautiful bird who chose, by nothing short of grace, to make a habitat of your heart. I have heard that this paint can be converted, as it were, by accepting “the fundamental impermanence of all things.” This acceptance bewilders me: sometimes it seems an act of will; at others, of surrender. Often I feel myself to be rocking between them (seasickness).” Half poetry, half prose, this small book contains 240 short meditations on the color blue, love, loss, and self. I think anyone who has ever been heartbroken, or fallen in love, or been in love even with just certain colors of the world, should read this. 

This Way for the Gas, Ladies and Gentlemen - Tadeusz Borowski - “I think about these things and smile condescendingly, when people speak to me of morality, of law, of tradition, of obligation...Or when they discard all tenderness and sentiment and shaking their fists proclaim this the age of toughness. I smile and I think that one human being must always be discovering another- through love. And that this is the most important thing on earth, and the most lasting.” A series of short stories the author wrote while in concentration camps in Poland and Germany. Published in Poland when he was released, he became a model artist for the communist party. When his same friends who were arrested by the Nazis and sent to a concentration camp were later arrested by the then ruling communist party, he put his head in his oven and killed himself. 

Simone - Eduardo Lalo - “Writing. What other choice do I have in this world, where so many things are forever beyond my reach? But I’m still here, alive and irrepressible, and it doesn’t matter if I’ve been condemned to corners, to cupboards, to nothingness. I’ve taken the blows and I’m still standing. That’s about all I’ve accomplished. That is what writing or reading is good for, and I’ve devoted nearly my whole life to it. Now and then, I’ve known something akin to grace.” Just started this book that was recently translated from the Spanish (it takes place in Puerto Rico) about a writer who is being stalked by a student of his. It’s dark and funny and exactly what I wanted to be reading around the holidays. 

Monday, November 30, 2015

Dragging Anchor

When a sailboat drags anchor you wake up in your berth you wake up with the wood around you but you know something isn’t right you’re still in your berth but it’s like when you sleep with someone for many nights and when they turn you turn with them and when they breathe you breathe with them when they get up in the night to pee you feel that they’re missing and you know something isn’t right

so you wake up in your berth and you feel the wood around you and the smell of canvas which isn’t just salt air or age or sunlight it’s sails that carry those things but also time

you know the smell it’s the smell that all your father’s sweaters had and all the beach towels laid out for you in the summer it’s the smell of years on the boat but also something else

you’re in your berth and there’s the wood and the canvas but also the sense of time passing, too quickly, maybe you see the stars moving too but mostly you just feel it, so you get up and leave everyone else asleep you go outside and even in the middle of the summer there will always be that first chill of you alone, above deck, with the rest of the world sleeping and you see that the bow has turned around the wrong way starboard so you pull up the chain and it’s so easy, so light in your hands, and you pull it in and feel the boat really pull with the current now, it could just float so easily out to sea but you look forward and throw really throw the anchor out the other way left to the channel and wait for the anchor to catch and it does- the boat makes a small tug and you’re awake and everyone is still sleeping so why not slip

into the water with the chain, hold onto it and let your body also float along with the current, held against the steady weight of the anchor and see all the little creatures around you light up like magic, your mom taught you the word, phosphorescence 

your first moment that you can remember that was completely yours and years later

your mom is remarried and you aren’t in a ship but in a small house on another river and you want to go into the town to buy pickles so you ask your mom if you can drive and you’re driving and you ask about the journals, the years you all spent sailing, and why her voice isn’t there and why you can’t read them, and it’s not the first time you asked and she says

I burned them 

it terrifies you and you’re afraid to ask and you think about nights you spent awake at night alone, other nights where you’re sure someone should have been awake and who knows

what really happened

but your mom got remarried and you like him and you can all have dinner together in that little house on the river and at night you go to bed and you hear the wind howl and it’s a sound you almost remember and early in the morning she calls your name and you answer, that’s a sound
familiar like the wind, pushing against wood, against canvas, pushing the body of a boat out to sea. 

The wind on the river is different, fierce and Northern and it carries with it the smells of evergreen trees and the haunting mating calls of Loons, their red eyes glowing on the river which you can see from your small window in the house, so like a ship

and you wake up in the middle of the night to its sounds and walk downstairs and the rest of the house is sleeping and still and you know that’s it’s impossible for a whole house to drag anchor. 


Thursday, November 26, 2015

Notes From 30

“The enjoyment was just from the too intense consciousness of one’s own degradation; it was from feeling oneself that one has reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you could never become a difference person; that even if time and faith were still left for you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into.”* 

 There’s a thing on the internet right now where it takes pictures of you and tells you how you’ve changed over the past ten years...yeah. I don’t want to fuck with that. Every year around my birthday I spend enough time going through pictures and trying to figure out how I’ve changed. I’ve looked the same for so long...but there’s been subtle differences, it can’t just be a hair cut, right? The tattoos add up. My breasts got bigger (how). My shorts and dresses, shorter, as I got comfortable in my body. Usually the same boots, the same half grin, two dimples before I broke my jaw, then just one after. 

 The constant in most of my pictures, as I look at them now, almost 30, is the people in them. The same friend in front of a band, or playing in a band, or in a van. It’s usually Austin, Scott, or Adrien. Two friends I met at a funeral for another friend (I still remember your name Doug, even though I can’t remember most) who I ended up playing in a band with, after high school (we made it though). I had a drink with Austin the other day. Scott texted me. I called Adrien. We are still connected, by our memories and our lives, for better or worse. We grew up together. I am not sure, a hundred years ago, if we ever would have known each other. We certainly wouldn’t have had the experience of playing in a punk band together, and we wouldn’t be talking now, after I moved across the country (up the country?) to go to graduate school. I am grateful for these things. 

 I understand that turning 30 as a woman is kind of a “big deal.” Like we’ve reached some age where society usually at some point dictated something for us...but I’m pretty lucky to live in an age where that isn’t true. At 30 my mom was sailing a 36ft sail boat around the south pacific, about to finish a trip around the world, and was two years from having me (I was born in South Africa, toward the end of the trip). She raised me, with the privileged of the age we live in now, to focus on books and school and “doing my own thing” so that, over the past several years, I haven’t felt pressure about getting married or having kids. I understand that I’m lucky in that regard. I got an IUD a few years ago, which has worked great for me, and has helped me, during my various relationships to prevent becoming pregnant. I could never have been the kind of mother I wanted to be, and despite wanting to be a mother now, I doubt I’ll ever be financially stable enough (student debt, the horror!) to have a child before it’s “too late.” I’ll be 32 when my IUD expires, the same age my mom was when she had me. And I’ll probably get another one. A mix of privilege and luck. 

 So these are the things I’m grateful for. My friends and my mom and I recognize that a lot of my agency is a product of privileges most people aren’t afforded. But I’m also grateful for a sense of understanding and sympathy that I have now at thirty that I didn’t have when I was starting my twenties. I know what I like, and who I am, but I don’t find the opposites threatening to me. I don’t view things I don’t know as “the other” and I have come to understand that everyone, mostly, has something to offer. As a young punk kid I thought the teller of the bank was my enemy, now I realize she just made different choices than me. I’m happy with the choices I’ve made, and I don’t resent regular everyday people for theirs (cue Pulp’s “Common People” please). 

 “Sure, we’re poor in some surface, dirty clothes way. But I stake faith in our instincts and intuition, our abilities and the strength of our friendships. If this isn’t progress or wisdom, at least it’s survival.”**

 There’s friends who aren’t around. People who committed suicide...or just got married or had kids and took different directions in life. I haven’t really grown up yet. I understand both choices. I don’t look on other people with disdain like I did at nineteen. I try to be understanding. I try to have sympathy even when I don’t understand. I’m incredibly proud of turning thirty this year, for feeling like a smarter person. And also, happy that I’m still connected to my friends. When Travis killed himself a few months ago I ended up at a punk show, crying and getting drunk, and then spent all night in bed with my friends, crying and laughing. The simple pleasure of a band, and a shoulder to cry on. I still find comfort in these things. 

 *Dostoevsky “Notes From Underground”
**`Travis Fristoe America #12

Tuesday, April 28, 2015

At the Start of Summer

"A day like the days I remember, a day like other days."*
I have to start writing my goodbye to Gainesville, so I'll start with the very end, at yet another start of summer. 

We left the springs around 6pm, and sped down country roads back toward Gainesville, with the windows down, and we had all tactfully agreed without speaking on country music- up loud. Everyone ate at Bev's Better Burgers, and everyone had the day off work except for me so I was sober-ish and drove while everyone slept in the car after, windows still down. Everyone's heads were tilted back toward their head rests, limbs pushed out away- already sunburned, breathing the deep heavy breaths of a day spent swimming. Swimming in water so clear it still almost makes me cry. Swimming and not just swimming but tumbling, jumping from shaky docks into the mouths of that water below, and not just swimming and jumping but mixing rum and cokes into Styrofoam cups, and sitting in the sun and watching everyone else enjoying their afternoon off. I drove everyone home and fought the urge to pull over and run wild in the moats of flowers that have suddenly taken over all the roads around Gainesville. The sun was still out, and my friends were still sleeping in the car, and I felt like how parents must feel watching their kids sleep. The whole world and everything in it suddenly seemed like enough. 
*Donald Justice, Variations on a Text by Vallejo