not enough in the end

"Even those wild memories of his mad youth left him unmoved, just as during his last debauch he had exhausted his quota of salaciousness and all he had left left was the marvelous gift of being able to remember it without bitterness or repentance."*

I like New Years. A lot of American holidays (yes I'm biased because I am geographically deficient) carry a certain amount of nostalgia but New Years Eve happens to be one of the holidays in which it is totally acceptable to talk about it. Every night at the end of the year people make lists about what they'd like to do differently in the forthcoming year, but all of the lists are tainted by what they've done wrong in the year before. Personally, I'd like to not be an asshole or do anymore dumb shit in 2012, but I'm only saying that because I know I've done enough of it
this past year.

We want to do better because we've done so much wrong. I don't want to sound cynical because I like wallowing in it, so to speak. I hate the sting of nostalgia but it's easily accessible for me. After all, this blog is named after a novel dedicated to nostalgia. I rode my bike home tonight through the growing fog (the night, has been- perfect) and I missed a few people so bad that it hurt. Really missed them. You, you might be reading this and think, "me? surely not me," but really, I mean you. I think about people I'd really never want to talk to again, but I miss them. I could blame it on Time but I know at the end of the day I'm just as responsible for pushing certain people away from me. No, that's the sweet version.

The bad version is that I've been a horrible person to people that put their trust and their hopes on me, and I couldn't be the girl they wanted me to be. I don't just mean boys, that sounds like the right answer but it's not (and they should take some of the blame of putting all of their hopes on me because that is, after all, a product of the Patriarchy which is too big of a footnote to include here) but I also mean my mom who wanted me to go to graduate school and my dad who wanted me to go to law school and my friends from out of state who expected my band to tour and my bosses who expected me to stick around all summer even when I wasn't making money (everyone seems upset when I go off and do my own thing, and I know at some point I'll stick around, I promise).

I want 2011 to end with a big, wet, warm apology to everyone that has been disappointed in me, but I don't know if it would matter at this point. I rode my bike home thinking about the friends I can't call anymore, not just from my own volition but also just from Time and Distance, and I wish I could wake up tomorrow in the new year and be able to. The shitty thing is, is that I won't be able to pick up the phone and make it better. Sure, tomorrow morning I'm going to go meet my dad out by the highway. We're going to drink a beer and he's going to ask me what I'm doing, but he sure as hell won't ask me if I'm happy. Just the same, happy new year to you, wherever you are.

*One Hundred Years of Solitude, pg. 341

that life that is slowly waking

"In the depths on your green eyes, you loafer, I can clearly see the land of laziness. I can see golden hills where you will bask. I can see the sofas of your many-houred snoozes. I can see heaps of notebooks you will never cover with writing. I can see the thousand peaceful cities where you will live from day to day, a thousand peaceful white cities of phlegmatic architecture and friendly climate. Torrid heat reigns from early morning. A streetcar, open on both sides, is making its way through green pastures. Oh, how sweet it will be, to live in the heart of that life that is slowly waking but always nodding off again before final awakening. Open windows, dark apartments, the somnolent dramas of the residents, an oval table covered with a cloth, the remains of banquets that never end, hammocks, easy chairs, old architecture, a thousand gentle rivers under a thousand old bridges, lazy girls going for walks along grassy shores...I'm afraid it's already too late. If you have the misfortune to chance upon a lazy body at the very beginning of your youth, you'll be lost for life. Your innate tendency toward laziness will be awakened and set for all time, and you'll spend your entire life searching for the promised land of laziness. You'll pass through a thousand peaceful cities. All your life you'll hunger for lazy arms. You won't live, you'll sleep instead."*

Be patient with me. Nothing I'd ever say out loud, in the real world. In the real world I'm always tapping my fingers, ready to move on, always rushing around. Inside though, alone in my room, I beg the world for patience. I have to have the exact right amount of time to write. The exact right amount of uneasiness and unhappiness, but not too much, because then I'll be busy taking care of it. There's always something to take care of, but it's hard taking care of ones own self.

I thought that lately I'd been happy. I was wrong. I'm not even sure I deserve to be happy, but really I think I was just being lazy. When it's easy to sleep past noon and stay up with someone, one on one, why wouldn't you? I realized that I need a break from being self-indulgent. This weekend I drank a lot, ran around with old friends and caused some trouble. It was fun, but I got sick and had to lay in bed for the past three days thinking. I mean really Thinking. Maybe that made me even more sick. I realized I still have a lot of work to do before I can be really happy, and that does seem like the point, to me anyway, just to be happy in the end. I saw my friend Charlie this weekend and he said he missed reading my blog, he asked why I'd been so busy, why I haven't been writing, and over beers I realized I didn't have a good excuse. So here you go Charlie, this ones for you.

Rose Cross has one song about partying. The gist is "turn off my brain" and I hop up and down and pogo and it sounds happy but it isn't. I spend a lot of time wondering why I have to be the one to think so goddamn hard. Everyone else seems ok most of the time, like nine out of ten people can walk into a messy room and feel fine and I'm the tenth person that walks in and completely looses it. Going into work and fixing other peoples mistakes, cleaning up after people, putting things back in their place...where does that bone in my body come from? Why can't I coast along, doing the bare minimum, smiling dumbly and dutifully? I get frustrated at everyone's lack of interest with the problems around them, and am worn out always trying to fix them. I often feel like I don't have much to show for it either. Sure, I work a lot, but I'd have rather been at that Halloween party than standing behind the bar for eight hours. I had a really amazing boyfriend for about five months but then I freaked out, thought I was doing everything wrong, felt depressed and ended it (that is the very, very short version of the story). If I could let things go...wouldn't I be happier?

Well fuck that. I'm not going to let New Years sneak up on me. I'm making my resolution now. No more sleeping in, no more comfort, no more easy living. I'm going to be writing more, updating this more, and trying to fix all the goddamn problems, and I don't care how unhappy it makes me. In the end it'll probably be worth it. Probably.

*Jerzy Pilch, A Thousand Peaceful Cities

dolce vita

"All those gentleman and ladies and boys and girls sitting at tables in that cafe- they were right, unquestionably right. As they talked, they become more and more certain of how right they were. And their certainty about being right was built on ridicule, devastation, and scorn for other people. they more they talked, the more they were right, the more their rightness demanded its tribute of words, threats, and gestures. As that tribute piled up, all the others,those who were in the wrong, became increasingly alone and unhappy. I looked out the window, across the street, and I saw other people sitting in other cafes: they were right too. This immense, single-minded rightness had split the world into two camps: those who has right on their sides (which is to say, everyone), and the others (which is to say, again, everyone)."*

I got into an argument with Daniel about literature, or rather an argument about Truth, since he reads mostly nonfiction, and mostly philosophy, which he thinks is a part of the Quest, and I think literature, specifically fiction and also poetry, makes for the surer road. He threw a biblical reference to me, about Babylon, and all the poor fuckers scratching in the dark, and I got wildly upset at the idea of all of this being some sort of misadventure, even though most of the time I'm convinced it is. Most books make our problems greater, but there has to be some truth in that. He meant, I think, that most people who write just don't have their hearts in the right place, which maybe makes "accredited theories" a better shot at figuring out the ways of the world and ourselves, but I think the same can be said for everyone. A lot of people don't have their hearts in the right place, they're on some other road entirely.

I think some reading ends up being in the "entertainment" category for me. A lot of the comics I read aren't going to teach me anything new about the world, but then again, X Men has a very special place in my socio-political arguments. Bolano is good, Marquez is also good (even though I know he would had to think so, Bolano had a hefty distaste for Marquez but as I explained to a friend the other day, it's like listening to both Morrissey AND Discharge), Mark Twain and Melville are good, Borges is good, and we all know there's mountains and mountains of trash in the literary world. Doesn't mean I'm going to give up reading. Anyway it seems like that's what most writers spend time thinking about anyway, in any interview you've got at least a few pages of the author talking about which writers he or she admires, and which books still matter, and that's all critics are trying to figure out anyway besides. I don't want to take sides in the fiction vs. nonfiction debate, despite the fact that I've been quietly thinking about it ever since the other morning over breakfast, which I was drinking my coffee reading a fantasy novel and Daniel was reading Gurdjieff.

*Stefano Benni, Margherita Dolce Vita

the siren call of the question mark

"Just as the shape of natural objects like rainbows, snowflakes, crystals and blossoming flowers derives from the symmetrical way that quarks arrange themselves in the atom- a remnant of the universe's lost state of perfect symmetry- so he is convinced that the unhappy state of affairs regarding love can be traces right back to the subatomic. If you read up on strings, you will learn that there are two different types, closed and open-ended. The closed strings are O-shaped loops that float about like angels, insouciant of spacetime's demands and playing no part in our reality. It is the open-ended strings, the forlorn, incomplete U-shaped strings, whose desperate ends cling to the sticky stuff of the universe; it is they that become reality's building blocks, its particles, its exchanges of energy, the teeming producers of all that complication. Our universe, one could almost say, is actually built out of loneliness; and that foundational loneliness persists upwards to haunt every one of its residents."*

I think I owe the Internet an explanation about my absence, but it would be so trite I don't think I could actually bring myself to write it out. I did go to Texas, I am in Europe now, and I guess I could talk about the late nights at work couldn't I? What's the point. Spring stretched out for me like a neglected lawn, punctuated only by reading some fantasy books, which I won't get into here but I think it had the effect of a big pile of sand for my head (i.e. I'm the proverbial ostrich). I think I had sort of given up, accepted the loneliness but also the fact that I couldn't be of any use helping anyone else with their hurts and wants. Although, on a night recently I helped Adrien clean the blood off his hands and face, sat him down with a fizzy water and told him to tell me all about it. So cuts and scraps I can handle, but the big existential problems I'd put on the back burner, at least until after my Great Rambling Adventure in Europe.

"Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over again I made the same mistake, hurt other people and hurt myself into the bargain. Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed- maybe they were part of my very make-up, an inescapable part of my being."**

I read that on the train from Berlin to Prague and it articulated exactly how I felt around the end of May. I felt happy to see my friends, happy to jump into the springs, even happy to wake up with a hangover. Yet I felt like I'd given up on trying to actually be happy. I thought if I just kept my head up, tried not to get involved with anyone, and worked hard, that I'd end up on the other side of my self-loathing.

Of course, thankfully, the world isn't that simple. I ended up kissing someone I've wanted to kiss for a long time, and the rug not only got pulled out from under my feet but suddenly pop songs on the radio started making sense too. I've never felt so utterly insane for someone. But, this isn't a blog about happiness, or musings on romance, so suffice to say that while something rather fundamental in my life up to this point has changed, the big questions remain.

I've spent my time here walking around, endlessly, climbing everything I see, and drinking an incredible amount of coffee. People keep asking me what I'm up to, why I'm here, alone, etc. I feel somewhat sheepish answering, "oh you know, just looking around." I did read One Hundred Years of Solitude again, which still makes me cry, and am rounding book 5 now that I've reached Budapest (I've picked up whatever I could get my hands on at used book stores, which has been surprisingly fruitful). In Vitezslav Nezval's book Valerie and Her Week of Wonders, which I read in Prague, he dedicated the book to, "those who, like myself, gladly pause at times over the secrets of certain old courtyards, vaults, summer houses and those mental loops which gyrate around the mysterious." So I walk a few kilometers (cultural note!) and then stop to stare at the view or a statue or just to smoke a cigarette in silence. I wrote Ryan and told him how I felt like a big key was in my head winding everything up the right way, like all the little gears are tuned correctly now, and when I come home I'll be lighter, clearer, dare I say it, happier. Maybe it's enough just to have my eyes open, and to have some time to think.

There's a true feedback story about exactly everything I've just written called don't give up on nihilism, and goddamn, I can't wait to get home to Gainesville to listen to it.

*Paul Murray, Skippy Dies, pg. 300
**Haruki Murakami, South of the Border, West of the Sun, pg. 42

Unknown Pleasures

"Memory is not what the heart desires."*

I drove into Melbourne going South on A1A, listening to Joy Division on accident. I wanted to play the Mind Spiders record but it was somewhere behind my seat, just out of reach, and I was too stubborn to pull over on the way down from Gainesville. Just needed to finish this one last thing, I kept telling myself, and then it's all over. I'll probably never come back here again. Suddenly the song seemed just right.

I lived in Melbourne for four years with my mom after we moved down from St. Augustine. I'm still friends with my three best friends from high school, but I don't come into town if I don't have to. I had to come down to help my mom pack up the house, which she sold last week, and now she's moving to Asheville. Lucky her. Last night I packed up my room. I threw out everything I could. Boxes and boxes of pictures of people I don't know anymore. Fliers for shows I barely remember. Notes from girls in high school, and notes from boys I wanted to kiss. The term overwhelmingly depressing doesn't begin to scratch the surface. The most unsettling things uncovered though were my own writings, which for some reason my mom kept. Folders and folders of short stories, poems, essays, and then the journals, at least a dozen of them. All so totally pathetic and foolish. I thought I understood solitude and depression at seventeen, what a joke. I should have been out on the beach kissing boys and hanging out, I should have been huffing glue and fucking up way more than I did. Didn't I know what was in store for me? Once all the promise ran out? DIDN'T I? All the stories are sort of banal and all the private thoughts from the journals are so pathetic, and I felt a shudder of foreshadowing as I read through them; will these thoughts I'm writing now look the same in twenty years? I'll admit to being hopelessly self-centered and a little too romantic at times, but I'd like to think I've gotten wildly smarter in the past seven years (seven years since high school, holy shit it burns) but I began to feel vibrations of doubt...do I remain the foolish kid I know I was? Terrifying. I won't think about it anymore this morning.

So now my mom has me packing up her books. Boxes and boxes of books. It's going to take me all 24 hours of today, since every few books I stop and start reading. I can't pick up the Mark Twain, Melville, Marquez, Salinger, Zadie Smith books without sneaking in a few pages. Every book marks a memory just like the pictures I threw out upstairs. Every chapter a chapter, if it's not too easy a metaphor. I told my mom over coffee this morning, "friends and punk shows make up half of my best memories, but these books make up the other half." So my mom may be moving out of this place that's suppose to be my hometown, but I know where to visit ghosts if I need to.

*Lord of the Rings, Fellowship of the Ring

Know When to Hold Em

"A poet can endure anything. Which amounts to saying that a human being can endure anything. But that's not true: there are obviously limits to what a human being can endure. Really endure. A poet, on the other hand, can endure anything. We grew up with this conviction. The opening assertion is true, but that way lie ruin, madness, and death."*

I. The last time I thought about this quote was over a month ago, I was driving home from Orlando by myself. I'd pretty much do anything to avoid driving by myself, because that's when everything comes bubbling up. I can create distractions for a little while- Lord of the Rings on tape, K Country on the radio, NPR, phone calls, but in the end somehow I always find myself alone, driving in silence. It's all I can handle, and at the same time it's all I can handle. I think about friends I've abused, relationships I've trashed, jobs I've fucked up, places I've abandoned. It seems like hell, but the thing that pains me most is the thought that it isn't enough, because I know at the end of the day it isn't enough just to think about the small crimes we've committed. I know somehow it isn't enough just to think hard on anything, the real pain isn't there, the real fucked up parts aren't committed solely to my head, they belong to other people now, and other places.

III. A woman was found in her apartment surrounded by fan mail. She had been dead for over a year and no one noticed. There's something enticingly fucked up about someone dying among boxes of people saying they loved her. Such an obvious metaphor. It freaks me out for other reasons. I'm upset that someone can be loved and still die alone in their apartment. It hurts somewhere in the soft part of my brain to know that you can achieve some sort of happy status and still wind up alone, and I don't mean solitude which is invasive but I mean alone which is tangible.

IV. So what's the point of trying at all? I mean trying like, doing something important, or doing something good, whatever that means to you. I've been having a lot of conversations. I've been reading a lot of books. I haven't figured it out, only gone to sleep more and more nervous. The original Bolaño quote is about what we can take, as in what we think we can take (or maybe what we think we're missing) and it comes back to the reason why anyone gets out of bed in the morning. So I think after a couple weeks of sitting on this the only thing I've come up with is having sincere relationships with people. I don't necessarily mean romantic relationships, although sometimes I think they manage to be the best kind. I only mean that as I've gotten older, i.e. thought more about the things I'm doing, better relationships have had more meaning to me. The only things I can consider important in the past few months are the relationships I've cultivated- and also the fact that I've earned them. It feels good to be able to call a friend for coffee in the morning. Period. It doesn't matter what the underlying context for your friendships is (right?). I remind myself that I am one of the lucky few that can meet up with someone when I need to. I guess that's what keeps me going most of the time.

V. Here's the link to the article. http://www.boingboing.net/2011/05/03/rip-yvette-vickers-c.html

VI. I promise the next blog post will be about Kenny Rogers. Just wait.

*Roberto Bolaño, Enrique Martîn. From Last Evenings on Earth

Secret Story

"So now you're wondering what I mean by the secret story? asked my friend. Well the secret story is the one we'll never know, although we're living it from day to day, thinking we're alive, thinking we've got it all under control and the stuff we overlook doesn't matter. But every single damn thing matters! Only we don't realize. We just tell ourselves that art runs on one track and life, our lives, on another, and we don't realize that's a lie."*

I. Your hands shake when you hold the microphone. You don't trust your voice. You know all your friends are watching, but you can't help the shaky attempt at harmony that follows. Karaoke terrifies you. The words go across the screen, but they're hard to read, uncertain like everything else. You've been told you can do this. You try one more time. You don't recognize your voice when it comes out of the speakers, singing a song you didn't write.

II. I work for ten hours and cut a few corners to get out early. I have to get to the show before the second bands starts. I show up and nothing's started. No one's even talking. I go across the street and have a few beers with the people I rushed over with. One does karaoke and the other buys beers. I wish I had the nerve to sing a song but I can't stand the anticipation of waiting to hear my name called. The song ends. We finish the beers. Across the street the show starts without anyone noticing, but we're there just in time to stand around.

III. You figure out how to play guitar, you think, this is easier than singing. There is a comfort in the rhythm, not like the awkward cadence and meter of your voice. You practice to Ramone's songs in your room. There will be late nights, but there will be some progress. You "figure it out." There will be pedals, cords, and equipment. Your friends like it.

IV. The band at the show makes me want to go home and work on things I started months ago. I have to finish this or that project, I have to do something after watching them. The two people playing sounded great together. Proof that something can be done. I know I nodded my head, moved my feet around, but the whole time I was thinking "I have to get home, I can finish that sentence now." I get a record, I literally ask for the one "with the weird slow songs on it" and I balance it across my handle bars. I begin a story in my head while I bike home, "your hands shake when you hold the microphone..."

V. You make it to the show in a town you've only read about. Your friends aren't there. You are singing in a band for the first time and your hands still shake when you hold the microphone. You hold the guitar close like you could be dancing. Everyone stands in a weak half moon in front of you, but they tap their black shoes when your voice comes out awkward, then clear. You have no idea if anyone really liked it, but you get a few smiles, and someone buys a record. You see them biking off alone one by one and you go back to your van. You sit in the dark and tell yourself you're not alone.

*Roberto Bolaño, Dentist